Hermès V

Name: Hermès V
SKU: 979-0-56025-321-3
Price: 40.00 EUR
Availability: InStock

Composer(s): SCHŒLLER Philippe

Genres: Ensemble Orchestral

ISMN: 979-0-56025-321-3

Score duration: 23'

Type: Fullscore

Publisher: Artchipel

Creation date:

Jun

2017

Commission: commande de l’Ensemble intercontemporain et de la Fondation Meyer

For rent: Contact us

“Hermes, five.
One of the pieces in this musical cycle, with the figure of the god Hermes at its heart.
Multidimensional: this is music.
Pure essence of this art.
The unity of a multiplicity.
One body. A living thing.
A vision. An intuition. I’m sticking to it.
I heard a work in its entirety, for an hour-and-a-half concert; with this name, this name, these
name, this word, these 6 letters: Hermès. Solar. Envoûtements.
The voice. Solo. In chorus. Vocal, that’s for sure. The future axis of lyricism. Lyricism new by definition, since vocal music was born.
And sound matter, which would be non-vocal, without the incarnation of a face or a singing people, will be pure, organic, radiant chaos. Invent a radiance that absorbs and transfigures the acoustic material, whether it’s traditional, and therefore infinite in its heuristics, because it’s human, with pulsating blood and choreographed gestures. Or whether it’s that instrumental dawn that’s so devious and promising: new technologies.
A vision.
A certainty, right from the start of writing this fifth piece in the cycle:
The form will be vitreous, organic, interwoven with many dimensions of listening, taking the orchestral material to the limits of listening habits, yet familiar. Form in fragmented, rapid, dreamlike developments. Short-circuits. Speeds and broad horizons.
A hallucination. A city populated by naked acoustic rays, by high-radiation sound bodies.
Singing bodies are the essence of the message.
This is the score for Hermès V.
The fifth piece in this puzzle of light: Hermès.
Philippe Schoeller
Paris, April 13, 2017

Description

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Additional information

Weight	1 kg
Dimensions	42 × 29,7 × 3 cm

123

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Type: Score
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Special offer 45€ instead of 56€ for the purchase of all 4 volumes.
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REIBEL Guy
Type: Score
Instrument: piano, Solos
The piano, a symmetrical body of sound a new look at the instrument The piano is the benchmark instrument for musicians. With its perfect mechanics, exact tuning, melodic and harmonic interplay, the ability to play every conceivable chord, and almost infinite range, it is a perfect instrument, the culmination of hundreds of years of evolution, for which countless works have been written, culminating in the 19th century and a prodigious progression in virtuosity. The instrument has conquered the planet, and is universally used in all musical genres. Its tempered keyboard seems to fix the musical scale forever, bringing music to a kind of “terminus”. What’s more, its keyboard configuration is totally adapted to tonal music, and since the twentieth century, composers have had to trick their way out of tonal language.

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GARZIA Benjamin
Type: Books
Why write a book about Gustav Mahler in 2016?
Aren’t the biographical works that have been published for decades enough for anyone wanting answers? Of course they are! Scientific answers on dates, historical elements or testimonies. But what about the spiritual significance? For if ever there was a composer whose work poured out his whole soul, it’s Gustav Mahler. To embrace his legacy, then, we must venture inside him, where history can only support us, where words give way to the simple human emotions that one man can imagine for another. And that’s the choice we’ve made. To propose a new approach, at once rapid, direct and immersive. Mahler the legend has ousted Mahler the man, the simple, the fragile. Before becoming a musical hero, he was Gustav. Simply Gustav. A dreamy, stubborn little boy, battered by life and clinging to an ideal, an artistic dream through which he hoped to open the gates to eternal life.
Writing a book in 2016 means getting as close as possible to this little boy, observing him even more than the giant he was to become. To immerse the reader in his direct environment, rather than in the historical context of his time. It also means trying to answer some intimate questions. How did Gustav become Mahler? How did the two of them live together during their short lives? Why does his music move us so much, speak to us so much, even when he has deliberately deprived it of words?
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Hermès V

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